
The Homeric Hymn to Hermes is one of the important sources of the myth of Hermes, but Allan refers to additional sources, among which are relatively few stories in which Hermes plays a leading role. The anthropomorphic representations developed, as Allan points out, from an older, bearded god to a youthful, beardless Hermes with kerykeion, chlamys, and petasos. 4 But there are no examples identified (with certainty) as representations of Hermes, and the oldest known herm dates already in the first quarter of the sixth century. 3ĭescribing the images of Hermes, Allan starts with wooden posts held in place by a pile of stones and continues with the herms, which according to some scholars were allegedly created by Hipparchos in the late sixth century at Athens.

2 Hermes has multiple epithets and epikleses, some geographical, others genealogical. Allan suggests that the name Hermes might derive from ‘herm‘ or ‘herma, a derivation assumed since the earliest studies on the origin of herms.’ More recent etymological dictionaries, however, indicate that this view must be rejected: the origin of the name is prehellenic, but we have no further knowledge about the language and the meaning of the term. Hermes is among the oldest of the gods in the Greek pantheon, first appearing in inscribed tablets from three Bronze Age sites (Pylos, Thebes, Knossos ca. In her introduction, Allanpoints out that Hermes became necessary as an intermediary after Prometheus had fallen out with Zeus (Hesiod, Theogony 535–57) and thus, the lines of communion (and communication) between mortals and gods were seriously damaged. On the first pages (i-xviii), Allan provides useful lists of ancient authors, abbreviations, conventions, a map of the Peloponnese, and a genealogical table.

Arlene Allan has worked on Hermes previously and has now published a new overview of the deity in the series “Gods and Heroes of the Ancient World.” Allan’s aim is to introduce the multi-faceted and fascinating god Hermes, the Roman Mercury, and to give an overview of his wide reception from Hellenistic times to the present.
